
The Rosenbergs of Edgware are a family in crisis.
David is desperately trying to save a failing catering business; Lesley is trying to save a failing husband, and their daughter Ruth is facing public vilification for investigating war crimes in Gaza for the UN, is she failing her community?
Will any of them succeed?
Lindsay Posner directs Dan Fredenburgh (Saul), Nitai Levi (Jonny), Adrian Lukis (Sir Stephen), Dorothea Myer-Bennett (Ruth), Tracy-Ann Oberman (Lesley), Nicholas Woodeson (David) and Alex Zur (Simon).
Ryan Craig‘s THE HOLY ROSENBERGS originally premiered at the National Theatre in 2011, and is now even more timely and incredibly pertinent.

Out of the gates this week come two shows: The Holy Rosenbergs at the Menier and Maria and Rosetta at @sohoplace. Both arrive tried and tested. Ryan Craig’s The Holy Rosenbergs was first seen at the NT in 2011 and tells of David, an Edgware Jewish patriarch whose life is unravelling. His successful catering business is on the brink of disaster after a scandal, his son is dead, fighting for the UDF in Gaza, and his daughter is a human rights lawyer investigating war crimes in Gaza, much to the disquiet of the local Jewish community. So, while The Holy Rosenbergs is 15 years old, it certainly should be topical, and Craig’s play harks back to the Arthur Miller tradition of playwriting with nods both to All My Sons and Death of a Salesman.
George Brant’s Marie and Rosetta was seen at the Rose Theatre in Kingston last spring and now roars into @sohoplace with Beverley Knight playing Sister Rosetta Tharpe, known as “the godmother of rock ‘n’ roll", and Ntombizodwa Ndlovu as Marie Knight, who Rosetta persuades to join her on a tour in the segregated states. The musical chemistry between the two is electrifying, and the singing should blow the roof off the theatre.
23 Feb, 2026 | By Lyn Gardner